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Text Click for more information BAIYU 0.0.0.0.0.5   百喻經·Introduction/5
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BAIYU 0.0.0.0.0.5
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百喻經·Introduction/5
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BAIYU
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0 . 0 . 0 . 0 . 0 . 5
Text Editions; Translation by Click for more information (possibly modified) BAIYUJING 0.5
 
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1 問曰: They asked as follows:
2 “人從何生。” "What does man originate from."
3 答曰: The Buddha replied as follows:
4 “人從穀而生。” "Man originates from grain."
5 問曰: They asked as follows:
6 “五穀從何而生。” "What do the five kinds of grain originate from?"
7 答曰: The Buddha replied as follows:
8 “五穀從四大火風而生。” "The five kinds of grain arise from the Four Elements, from Fire and Air."
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Lexeme Entry Attributions Click for more information (10)
  Line No. Click for more information Character(s) Click for more information Phonological Profile Click for more information Synonym Group Label Click for more information Syntactic Category Click for more information Semantic Category Click for more information Lexeme Entry Definition Click for more information Evidential Value Click for more information
2 rén *ȵin 日真平 **njin (?) HUMAN n nonref man in general; man in the true sense of that word, man who deserves the name of man
2 hé *ɦɑ 匣歌平 **ɡlaal (?) WHAT npro.postVt:adV[0] V-ing what object of a coverb> what? e.g. 從何生?
2 cóng *dzi̯oŋ 從鍾平 **dzoŋ (?) FROM vtoN.adV from
4 cóng *dzi̯oŋ 從鍾平 **dzoŋ (?) FROM vtoN.adV from
6 hé *ɦɑ 匣歌平 **ɡlaal (?) WHAT npro.postVt:adV[0] V-ing what object of a coverb> what? e.g. 從何生?
6 五穀 wǔ - gǔ *ŋuo̝ - kuk 疑模上 - 見屋入 **ŋaaʔ - kooɡ (?) GRAIN NPm the five kinds of grain
8 hé *ɦɑ 匣歌平 **ɡlaal (?) WHAT npro.postVt:adV[0] V-ing what object of a coverb> what? e.g. 從何生?
8 huǒ *hʷɑ 曉戈上 **qphaalʔ (?) FIRE nm fire
8 fēng *puŋ 幫東平 **plum (?) AIR nm the air carried by the wind: air 四大(NB: PERHAPS THE ANCIENT CHINESE ONLY RECOGNISED THE NOTION OF FENG AS MOVED AIR AND DID NOT RECOGNISE FENG AS AN UNMOVED SUBSTANCE. 待考
8 四大 sì - dà *si - dɑi 心脂去 - 定泰去 **plids - daads (?) ELEMENT NP+N with specifying apposition the element(s) N
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Rhetorical Device Attributions Click for more information (5)
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2 8 CRESCENDO-RHYTHMIC 節奏趨上法 The arranging of elements in an order of increasing length.
2 8 ANAPHORA-STAGGERED x.../y...//x.../y.../ or /xy.../x.../y.../
2 4 ANAPHORA /x.../x.../. REPETITIO of the same initial word in two consecutive cola/lines.
The variable size of the units identified creates different types of ANAPHORA.
4 8 ARHYTHMIA-MULTIPLE ARHYTHMIA sustained across several cola/lines.
6 8 ANAPHORA /x.../x.../. REPETITIO of the same initial word in two consecutive cola/lines.
The variable size of the units identified creates different types of ANAPHORA.
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