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Text Click for more information BAIYU 0.0.0.0.0.12   百喻經·Introduction/12
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BAIYU 0.0.0.0.0.12
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百喻經·Introduction/12
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BAIYU
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0 . 0 . 0 . 0 . 0 . 12
Text Editions; Translation by Click for more information (possibly modified) BAIYUJING 0.12
 
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1 五百梵志心開意解, The five hundred brahmans were delighted and relieved,
2 求受五戒。 and they sought to receive the Five Prohibitions.
3 悟須陀洹果, They grasped the fruits of srotApanna (first step towards enlightenment),
4 復坐如故。 and they sat down again, as before.
5 佛言: The Buddha said:
6 “汝等善聽。 "You people listen carefullly to me.
7 今為汝廣說眾喻。” Now I will at length expound for you the various parables."
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Lexeme Entry Attributions Click for more information (19)
  Line No. Click for more information Character(s) Click for more information Phonological Profile Click for more information Synonym Group Label Click for more information Syntactic Category Click for more information Semantic Category Click for more information Lexeme Entry Definition Click for more information Evidential Value Click for more information
1 心開 xīn - kāi *sim - khəi 心侵平 - 溪咍平 **slɯm - khɯɯl (?) UNDERSTAND VPi ch come to understand things 心開意解
1 意解 yì - jiě *ʔɨ - kɣɛ 影之去 - 見佳上 **qɯɡs - kreeʔ (?) UNDERSTAND VPi ch understand things
1 梵志 fàn - zhì *bi̯ɐm - tɕɨ 並凡去 - 章之去 **bloms - kljɯs (?) SCHOLAR NP phon.trans+translation brahman
2 jiè *kɣɛi 見皆去 **krɯɯɡs (?) FORBID nab.post-V{NUM} interdiction, prohibition 一戒
2 qiú *gɨu 群尤平 **ɡu (?) REQUEST vt+V[0] seek to V, sometimes close to: "demand to V"
3 wù *ŋuo̝ 疑模去 **ŋaas (?) UNDERSTAND vtoN inch get a clear vision of, come to understand; understand the significance of; oappreciate properly; become enlightened to
3 果/菓 guǒ *kʷɑ 見戈上 **kloolʔ (?) / guǒ *kʷɑ 見戈上 **kloolʔ (?) FRUIT npost-N fig abstract fruits> positive results of N
3 須陀洹 xū - tuó - huán *si̯o - dɑ - ɦʷɑn 心虞平 - 定歌平 - 匣桓平 **so - laal - ɢoon (?) WISE NPab psych BUDDH: first stage of sagely life characterised by enlightenment
4 fù *bɨu 並尤去 **buɡs (?) AGAIN vadV again (as in 復戰 "fight again, renew battle".(often of reverting to an original state:) again (失而復得"lose but regain again") occasionally and rarely adversative: on the contrary; (with negatives, not) any more, not any longer; but again
4 gù *kuo̝ 見模去 **kaas (?) PAST nab dimension 1. the past; 2. what is ancient, antiquity
6 shàn *dʑiɛn 禪仙上 **ɡjenʔ (?) IMPERATIVE MARKER vadV imperative marker, mod. Chinese 好好
6 tīng *theŋ 透青平 **theeŋ (?) LISTEN vtoN imp.subj not omitted listen to! [CA] (The category is vt[oN])
6 汝等 rǔ - děng *ȵi̯ɤ - təŋ 日魚上 - 端登上 **njaʔ - k-lɯɯŋʔ (?) YOU/PLUR NPpro plur.subj you (plural)
7 喻/諭 yù *ji̯o 以虞去 **los (?) / yù *ji̯o 以虞去 **los (?) COMPARE nab text illustration; illustrative story, parable
7 guǎng *kɑŋ 見唐上 **kʷaaŋʔ (?) ALL vadV non-math comprehensively, very broadly
7 rǔ *ȵi̯ɤ 日魚上 **njaʔ (?) YOU/PLUR npro you plural
7 wèi *ɦiɛ 云支去 (?) FOR vtoN.adV acting for > for something; on someone's behalf; in someone's favour
7 zhòng *tɕuŋ 章東去 (?) ALL nadN quant the large number of, all the many, all the various, all sorts of
7 shuō *ɕiɛt 書薛入 (?) EXPLAIN vtoN expound; make explanations, expatiate about things; explain in detail; give a satisfactory explanation of
BUDDH specifically: preach
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Rhetorical Device Attributions Click for more information (8)
  Line From Click for more information Line To Click for more information Rhetorical Device Click for more information Rhetorical Device Definition Click for more information Evidential Value Click for more information
1 1 ENJAMBEMENT-MULITIPLE-SUBJ/PRED 接下行法 Line-break between subject and predicate of a sentence, the predicate extending over several lines.
1 4 ISOCOLON-RHYTHMIC 輕重節奏對偶法 ISOCOLON in which the rhythm of empty and full, heavy and light syllables is the same.
1 1 HENDIADYS PLEONASM in two consecutive words.
重言法 The expression of what can be said with one word or expression by the adjacent use of two near-synonymous words or expressions.
3 3 ARHYTHMIA-TRANSCRIPTION ARHYTHMIA involving a line containing foreign language transctiptions.
4 4 HENDIADYS PLEONASM in two consecutive words.
重言法 The expression of what can be said with one word or expression by the adjacent use of two near-synonymous words or expressions.
4 REDUNDANTIA QUADRISYLLABISM 四字法 artificial creation of four-character phrases/cola.
7 7 ARHYTHMIA ANOMIA in the context of PARALLELISM in which the repeated rhythm is broken.
Breaking of regular rhythm, the converse of ISOCOLON.
7 7 ARHYTHMIA ANOMIA in the context of PARALLELISM in which the repeated rhythm is broken.
Breaking of regular rhythm, the converse of ISOCOLON.
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